{"created":"2023-06-20T13:23:31.490500+00:00","id":4435,"links":{},"metadata":{"_buckets":{"deposit":"bf342add-190f-4648-9bf4-86489902f944"},"_deposit":{"created_by":24,"id":"4435","owners":[24],"pid":{"revision_id":0,"type":"depid","value":"4435"},"status":"published"},"_oai":{"id":"oai:ir.soken.ac.jp:00004435","sets":["28:43:338"]},"author_link":["2634","2632","2633"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2014-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"10","bibliographic_titles":[{"bibliographic_title":"総研大文化科学研究 "},{"bibliographic_title":"Sokendai review of cultural and social studies ","bibliographic_titleLang":"en"}]}]},"item_10002_creator_23":{"attribute_name":"フリガナ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"ハン, リンリン","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{}]}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf ","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"満洲国の日本人作家を代表する北村謙次郎は、在満中、綜合文芸雑誌『満洲浪曼』を創刊、主宰した。この雑誌において、彼は「満洲ロマン」という文学理念を提唱した。この理念は、北村が満洲で追い求めた文学の本質を示すものであり、彼の文学の全体像を解明する鍵となるものでもある。本稿では、雑誌『満洲浪曼』の編輯内容を通して、この作家の「満洲ロマン」理念を検討する。\n \n『満洲浪曼』は1938年に創刊された。当時の満洲国では、日本人文学者の創作発表の場が足りないばかりか、一般の文芸作品が日本人の目に触れる機会も少なかった。北村は、そのような現状を打破したいと痛感し、雑誌を作ることを決意した。『満洲浪曼』は満日文化協会の財政的協力のもと、首都の新京において、北村謙次郎の努力によって誕生した。\n \n『満洲浪曼』は全六輯からなり、ほとんど北村の編輯によるものである。寄稿者には、吉野治夫、緑川貢、横田文子、檀一雄、木崎龍、逸見猶吉、長谷川濬、大内隆雄などがいた。誌面は小説、詩、随筆、評論などを中心に構成され、その他、音楽、映画、演劇といったジャンルにも目配りがなされ、綜合文芸雑誌としての多様性を窺わせるものとなった。特に第四輯の「満洲作家選集」と第五輯の「満洲文学研究」は、同誌を満洲国を代表する文芸雑誌として不動の地位につけた。\n \nこの雑誌を通して、北村は自分の文学理念を模索しつづけた。彼にとって文学とは、自己表現の手段であり、自分の人生体験の存在証明でもあった。彼は文学の純粋さを強調し、文学の功利性を根本的に否定している。その文学は苦心の結晶であり、生活に深く沈潜しないと出来るものではなかった。\n \nその考えに基づいて、北村は「大陸日本人の生きかたの規範としてのロマン」を「満洲ロマン」（「大陸ロマン」）であると定義した。彼は日本文化の優越感などを一切捨てて、肌から満洲の風土を感じることを強調し、自分の「死」によって膚肉から満洲風土を吸収するというふうに主張した。そして、それによって、他民族と一体化することを望んでいた。\n \nしかし、創刊から僅か3年のうちに、満洲国の文化状況は大きく変わった。『満洲浪曼』も、北村謙次郎の求めた「大陸ロマン」も、満洲国政府の「文化統制」によって息の根を止められた。それはつまり、北村謙次郎の満洲に託した夢の挫折でもあった。\n\nKitamura Kenjirō was one of the representative writers in Manchukuo. He founded the literary journal Manshū Rōman and advocated a concept of literature he called “Manshū romance.” The concept points to the essence of the literature pursued by Kitamura and is an important key to understanding his writing. This study takes up the contents of Manshū Rōman to examine the concept of the “Manchurian romance.”\n \nManshū Rōman was started in 1938. At that time there were few opportunities for continental Japanese writers to publish their works, nor was there a literary journal that published on behalf of Manchukuo. Kitamura Kenjirō recognized this condition and decided to create a magazine. Thus, Manshū Rōman was born. Manshū Rōman consists of six issues, five of which were edited by Kitamura Kenjirō himself. Most of the Japanese writers who were living in Manchukuo published their works in the magazine. Included among them are Yoshino Haruo, Midorikawa Mitsugu, Yokota Fumiko, Dan Kazuo, Kizaki Ryū, Henmi Yukichi, Hasegawa Shun, and Ōuchi Takao. The magazine primarily published short stories, novels, poetry, essays, and criticism, but also included writing about music, film, and theater to show its cultural comprehensiveness.\n \nFor Kitamura Kenjirō, literature was self-expression and the evidentiary record of his life. He carried out his concept of literature in this magazine. He emphasized literary purity and denied literary utility fundamentally.\n \nOn this basis, Kitamura Kenjirō proposed “the romance as a norm of a continental Japanese’s way of life,” calling it “Manchurian romance” (“continental romance”). He cast aside the sense of superiority of Japanese culture, and emphasized experiencing the climate of Manchuria through one’s own skin, so that when one died one would be assimilated into that climate. In this way, he tried to promote the unification of Manchukuo with the other races.\n \nHowever, the magazine did not last more than three years, as change came about in the cultural situation of Manchukuo. The “great romance” which Kitamura Kenjirō asked for was ended by “cultural control” and his dream of the “Manchurian romance” was likewise frustrated.","subitem_description_type":"Abstract"}]},"item_10002_link_26":{"attribute_name":"要旨リンク","attribute_value_mlt":[{"subitem_link_text":"要旨","subitem_link_url":"http://www.initiative.soken.ac.jp/journal_bunka/140324_han/index.html"},{"subitem_link_text":"Summary","subitem_link_url":"http://www.initiative.soken.ac.jp/journal_bunka/140324_han/index_en.html"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"総研大文化科学研究 "}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_type_id":{"subitem_relation_type_id_text":"http://www.initiative.soken.ac.jp/journal_bunka/title_index.html#v10","subitem_relation_type_select":"URI"}}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1883-096X ","subitem_source_identifier_type":"ISSN"}]},"item_10002_textarea_25":{"attribute_name":"出版者(英)","attribute_value_mlt":[{"subitem_textarea_language":"en","subitem_textarea_value":"The Graduate University for Advanced Studies, School of Cultural and Social Studies "}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"韓, 玲玲","creatorNameLang":"ja"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"HAN , Ling Ling","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","displaytype":"detail","filename":"SOKENDAIbunka_10","licensetype":"license_5","url":{"label":"論文PDF（リンク）","url":"http://www.initiative.soken.ac.jp/journal_bunka/140324_han/han.pdf"},"version_id":""},{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2014-04-18"}],"displaytype":"detail","filename":"150331_han.pdf","filesize":[{"value":"955.7 kB"}],"format":"application/pdf","licensetype":"license_5","mimetype":"application/pdf","url":{"label":"論文PDF","url":"https://ir.soken.ac.jp/record/4435/files/150331_han.pdf"},"version_id":"e0593ccd-fc6e-404f-80ae-abbb2bd28329"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"雑誌『満洲浪曼』における北村謙次郎の文学理念","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"雑誌『満洲浪曼』における北村謙次郎の文学理念","subitem_title_language":"ja"}]},"item_type_id":"10002","owner":"24","path":["338"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2014-04-18"},"publish_date":"2014-04-18","publish_status":"0","recid":"4435","relation_version_is_last":true,"title":["雑誌『満洲浪曼』における北村謙次郎の文学理念"],"weko_creator_id":"24","weko_shared_id":-1},"updated":"2023-11-16T01:23:25.817861+00:00"}