{"created":"2023-06-20T13:24:01.178885+00:00","id":5343,"links":{},"metadata":{"_buckets":{"deposit":"b5a4a7c7-9a23-4592-aec6-310797f0c72d"},"_deposit":{"created_by":24,"id":"5343","owners":[24],"pid":{"revision_id":0,"type":"depid","value":"5343"},"status":"published"},"_oai":{"id":"oai:ir.soken.ac.jp:00005343","sets":["28:43:443"]},"author_link":["5959","5960","5958"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueNumber":"12","bibliographicPageEnd":"101","bibliographicPageStart":"83","bibliographic_titles":[{"bibliographic_title":"総研大文化科学研究 "},{"bibliographic_title":"Sokendai Review of Cultural and Social Studies","bibliographic_titleLang":"en"}]}]},"item_10002_creator_23":{"attribute_name":"フリガナ","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"カタオカ, マイ","creatorNameLang":"ja-Kana"}],"nameIdentifiers":[{"nameIdentifier":"5959","nameIdentifierScheme":"WEKO"}]}]},"item_10002_date_30":{"attribute_name":"発行年","attribute_value_mlt":[{"subitem_date_issued_datetime":"2016-03-31"}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"本稿は、第二次世界大戦後に日本文学の英訳に貢献したエドワード・サイデンステッカー（1921–2007）が、川端康成の小説「伊豆の踊子」を英訳・再翻訳するにあたり、どのように異なる翻訳手法を用いたかを考察したものである。サイデンステッカーはコロラドに生まれ、大学で英文学を専攻した後、第二次世界大戦中にアメリカ海軍日本語学校で日本語を学んだ。アメリカ海兵隊の一員として日本の地に初めて足を踏み入れた後、終戦後に一旦外交官を志すもののその道を諦め、英語圏での日本文学の紹介に尽力した。サイデンステッカーが手掛けた翻訳作品のうち、川端文学は彼の翻訳作品群の中核をなすものであり、中でも「伊豆の踊子」は、初期に取組んだ翻訳作品として、また改訂を行なった最後の翻訳作品として、サイデンステッカーの翻訳手法を検討していくうえで欠くことの出来ない作品である。\n\nサイデンステッカーによる「伊豆の踊子」の最初の英訳は、1954年に『アトランティック・マンスリー』の『パースペクティヴ・オブ・ジャパン』と呼ばれる付録冊子に掲載された。大胆な起点テクスト（ST: source text、原文）の削除や省略、調整などを特徴とするサイデンステッカーの訳は、誌内の限られたスペースに掲載するという編集者により課せられた条件のためのみならず、日本のことをほとんど知らない一般読者層を想定した、英語圏でも受容されやすい文体や形式への抄訳・変更を行っている。しかし、サイデンステッカーは、1997年にThe Oxford Book of Japanese Short Storiesのため、「伊豆の踊子」を再翻訳している。この改訳版の英訳文は、省略部分を元に戻し、また加筆を取払うことにより、原文に寄り添った英訳へとその姿形を変えている。\n\nこのような変化を含む二つの異なる版の翻訳を比較検討することにより、本稿では、訳者自身が言うところの「読者を甘やかす」翻訳から「几帳面な」翻訳への推移を、主に周縁のエピソードや登場人物の削除、そしてテクスト内の異文化要素（CSIs: Culture Specific Items）に焦点をあて考察する。また、こうしたアプローチに反映されている翻訳者の姿勢の変容についても触れ、翻訳者としてのスキルの向上や原文解釈の深化、そして英語圏での日本文化の認知のされ方の変化などを含む、訳文および翻訳者を取り巻く文化的・社会的背景が翻訳に与えた影響についても論じる。\n\n\nThis paper will explore how the translation strategy of Edward G. Seidensticker (1921–2007) shifted between his two English versions of “The Izu Dancer” (1954 and 1997). As an undergraduate at the University of Colorado, he majored in English Literature. Seidensticker joined the Navy Japanese Language School during World War II and went to Japan as a member of the U.S. Marine Corps. After the War ended, he gave up the idea he had of becoming a diplomat and started to translate modern Japanese fiction. The literature of Kawabata Yasunari was one of his focuses throughout his career; among the works he translated, “Izu no odoriko” 伊豆の踊子 (The Izu Dancer) is of particular importance. It was the very first Kawabata translation that Seidensticker attempted, and since he revised it at the end of his career, it shows his changing approach and method as he matured as a translator.\n\nSeidensticker published his first English rendition of Kawabata’s “Izu no odoriko” in Perspective of Japan: An Atlantic Monthly Supplement in 1954, early in his career as a translator. Bold omissions, interpolations and modulations of the ST (source text, i.e. original text) were made in order to fit the work into the limited space given to him by the editor, but also to tailor it into a more accessible literary form for general readers of that time, who still knew little about Japan. In 1997, however, he retranslated “The Izu Dancer”, this time as an unabridged translation for The Oxford Book of Japanese Short Stories. All omitted parts were restored, interpolations removed, and further changes were made to bring the TT (target text, i.e. translated text) closer to the ST.\n\nBy comparing these two English translations of “The Izu Dancer,” this paper will illustrate the ways in which Seidensticker’s 1997 translation strategy had shifted from that of 1954, focusing on omissions of subsidiary episodes and characters, and the treatment of culture-specific items (CSIs). I will also demonstrate how a translator’s attitude towards translation can change over time along with the maturation of skills, change in understanding of the ST, and more crucially, the social and cultural context of the time when a work is being translated.","subitem_description_type":"Abstract"}]},"item_10002_link_26":{"attribute_name":"要旨リンク","attribute_value_mlt":[{"subitem_link_text":"要旨","subitem_link_url":"http://www.bunka.soken.ac.jp/journal_bunka/160303_kataoka/index.html"},{"subitem_link_text":"Summary","subitem_link_url":"http://www.initiative.soken.ac.jp/journal_bunka/160303_kataoka/index_en.html"}]},"item_10002_link_28":{"attribute_name":"書誌レコードID(NCID)","attribute_value_mlt":[{"subitem_link_text":"AA12058987","subitem_link_url":"http://ci.nii.ac.jp/ncid/AA12058987"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"総合研究大学院大学文化科学研究科"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第12号 号別論文一覧 / Vol.12 Contents"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"http://www.bunka.soken.ac.jp/journal_bunka/title_index.html#v12","subitem_relation_type_select":"URI"}}]},"item_10002_rights_15":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"© 2016 SOKENDAI (The Graduate University for Advanced Studies)"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1883-096X","subitem_source_identifier_type":"ISSN"}]},"item_10002_textarea_25":{"attribute_name":"出版者(英)","attribute_value_mlt":[{"subitem_textarea_language":"en","subitem_textarea_value":"SOKENDAI (The Graduate University for Advanced Studies), School of Cultural and Social Studies"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"片岡, 真伊","creatorNameLang":"ja"}],"nameIdentifiers":[{"nameIdentifier":"5960","nameIdentifierScheme":"WEKO"}]},{"creatorNames":[{"creatorName":"KATAOKA, Mai","creatorNameLang":"en"}],"nameIdentifiers":[{"nameIdentifier":"5958","nameIdentifierScheme":"WEKO"}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available"}],"filename":"SOKENDAIbunka_12_83","url":{"label":"論文PDF（リンク）","url":"http://www.initiative.soken.ac.jp/journal_bunka/160303_kataoka/kataoka.pdf"},"version_id":""},{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2016-05-11"}],"displaytype":"detail","filename":"201603 kataoka.pdf","filesize":[{"value":"721.4 kB"}],"format":"application/pdf","licensetype":"license_5","mimetype":"application/pdf","url":{"label":"論文PDF","url":"https://ir.soken.ac.jp/record/5343/files/201603 kataoka.pdf"},"version_id":"cff42a89-fdbc-4c4a-8eb3-c736d3650d33"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"エドワード・サイデンステッカー","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"川端康成","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"文学翻訳","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"「伊豆の踊子」","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"『パースペクティヴ・オブ・ジャパン』","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"抄訳","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"異文化要素（CSI）","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"再翻訳","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Edward Seidensticker","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Kawabata Yasunari","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"literary translation","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"“The Izu Dancer”","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Perspective of Japan","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"abridgement","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"culture-specific items (CSIs)","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"retranslation","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"eng"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"エドワード・サイデンステッカーの翻訳手法とその変遷 ―「伊豆の踊子」の英訳初版および改訂版を例として―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"エドワード・サイデンステッカーの翻訳手法とその変遷 ―「伊豆の踊子」の英訳初版および改訂版を例として―","subitem_title_language":"ja"},{"subitem_title":"Emending a Translation into “Scrupulous” Translation : A Comparison of Edward G. Seidensticker’s Two English Renditions of “The Izu Dancer”","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"24","path":["443"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2016-05-11"},"publish_date":"2016-05-11","publish_status":"0","recid":"5343","relation_version_is_last":true,"title":["エドワード・サイデンステッカーの翻訳手法とその変遷 ―「伊豆の踊子」の英訳初版および改訂版を例として―"],"weko_creator_id":"24","weko_shared_id":-1},"updated":"2024-01-24T00:56:56.574937+00:00"}