{"created":"2023-06-20T13:24:45.575335+00:00","id":6483,"links":{},"metadata":{"_buckets":{"deposit":"04ca10ce-2639-4ad8-9f2b-a55f39c397f4"},"_deposit":{"created_by":24,"id":"6483","owners":[24],"pid":{"revision_id":0,"type":"depid","value":"6483"},"status":"published"},"_oai":{"id":"oai:ir.soken.ac.jp:00006483","sets":["28:43:561"]},"author_link":["11800","11801"],"item_10002_biblio_info_7":{"attribute_name":"書誌情報","attribute_value_mlt":[{"bibliographicIssueDates":{"bibliographicIssueDate":"2022-03-31","bibliographicIssueDateType":"Issued"},"bibliographicIssueNumber":"18","bibliographicPageEnd":"91","bibliographicPageStart":"73","bibliographic_titles":[{"bibliographic_title":"総研大文化科学研究"},{"bibliographic_title":"SOKENDAI Review of Cultural and Social Studies","bibliographic_titleLang":"en"}]}]},"item_10002_date_30":{"attribute_name":"発行年","attribute_value_mlt":[{"subitem_date_issued_datetime":"2022-03-31"}]},"item_10002_description_19":{"attribute_name":"フォーマット","attribute_value_mlt":[{"subitem_description":"application/pdf","subitem_description_type":"Other"}]},"item_10002_description_5":{"attribute_name":"抄録","attribute_value_mlt":[{"subitem_description":"尾崎翠（一八九六―一九七一）のテクストでは、小説やエッセイ、詩や座談録といったジャンルを横断する形で、「チヤアリイ」ことチャールズ・チャップリンへの思慕というテーマが繰り返し表象されている。しかし、これらは従来の研究ではほとんど看過されており、充分な掘り下げがなされてこなかった。本稿は、短篇小説「木犀」（一九二九年）を中心に、その重要性に光を当てるものである。\n\n映画をめぐる尾崎の複数のエッセイの中で、「影」というキーワードが繰り返し登場する。「影」という言葉を用いて表象されているのは、映画などの媒体を通すことによって生じる一種の異世界の魅力であり、なおかつ、その中で生身の人間とは異なる異世界の存在として見えてくる人物像への強い関心である。「影の世界」に触れ、没入することによって自身の「心のはたらき方までも」が根本から影響を受けるという、単なる娯楽としての消費に留まらない映画鑑賞のあり方が語られる。また、チャップリンについても生身の俳優としてではなく、映画の幕の上の「影の男性」としての魅力が見出されている。以上を踏まえた上で、「木犀」の「私」の恋のあり方について考察を加えた。\n\n「木犀」の語り手である「私」は、学生時代の友人「Ｎ氏」からのプロポーズを退けたことで「淋しさ」を感じるが、映画館で観た「ゴオルドラツシユ」の「チヤアリイ」に対する好意を語る時にはじめて「恋してゐる」「愛してゐる」という言葉が用いられる。\n\nさらに、「私」が強く関心を示しているのは、億万長者となり恋人を得るハッピーエンドを迎えた成功者としての「チヤアリイ」ではなく、むしろその途上における「孤独な彷徨者」に対してである。その上で、彼の姿に「淋しさ」を見出して共鳴を示す「私」自身もまた、「孤独な彷徨者」の性質をそなえた人物であることを指摘した。\n\nまた、映画が上映終了となった後、「私」は眼前にありありと「チヤアリイ」を思い描き、幻想上の会話を交わしている。ここに表象されるイメージは、映画「ゴオルドラツシユ」のチャップリンのイメージを借用・変形することによって表現された「私」の分身であり、「私」の〈内なる男性像〉の具現化であると、後続の尾崎翠テクストとのテーマの連続性に言及しつつ結論づける。\n\n\n\nIn the texts of Midori Osaki (1896–1971), the recurrent theme of her admiration for Charles Chaplin or “Charlie” appears across her works such as in novels, essays, poetry and records of dialogues. However, this theme has been largely overlooked in previous studies and has not been explored in depth. This article focuses on the theme by making reference to one of her short stories titled Mokusei (Osmanthus fragrans) (1929) and sheds light on its importance.\n\nIn some of Osaki’s essays on films, the word “shadow” appears repeatedly. This word suggests a sort of otherworldly fascination that emerges from a medium such as film, and her strong interest in the characters who appear in films as otherworldly beings different from actual human beings. She says movie watching is more than mere entertainment. When watching a film, she touches and is absorbed into the “world of shadow”, and even her way of thinking is influenced. Osaki finds Chaplin attractive as a “man of shadow” in a film rather than an actual human being. In light of the above, the author discusses what “I” is and what “my” love is in Mokusei.\n\nWhile “I”, the narrator of Mokusei, feels “loneliness” after declining a marriage proposal from N, a friend from her school days, she says “I am in love” and “I love you” for the first time when she talks about her fondness for Charlie in The Gold Rush, which she saw in the theater.\n\nThe narrator is more interested in Charlie as a lonely wanderer than Charlie as a successful man who becomes a millionaire and has a happy ending with his lover in the film. The author points that “I”, the narrator, who finds “loneliness” in him and has sympathy for him, is also a person who may be characterized as a “lonely wanderer”.\n\nAfter the film, the narrator has an imaginary conversation with Charlie with a vivid image of Charlie in herself. The author, based on the thematic continuity in Osaki’s subsequent texts, concludes that the image represented in this novel is an alter ego of the narrator, borrowed and transformed from Chaplin’s image in the film The Gold Rush, and is an embodied “male model” in her mind.\n\n","subitem_description_type":"Abstract"}]},"item_10002_link_26":{"attribute_name":"要旨リンク","attribute_value_mlt":[{"subitem_link_text":"要旨","subitem_link_url":"http://www.bunka.soken.ac.jp/journal_bunka/18_05_ono/index.html"},{"subitem_link_text":"Summary","subitem_link_url":"http://www.initiative.soken.ac.jp/journal_bunka/18_05_ono/index_en.html"}]},"item_10002_link_28":{"attribute_name":"書誌レコードID(NCID)","attribute_value_mlt":[{"subitem_link_text":"AA12058987","subitem_link_url":"https://ci.nii.ac.jp/ncid/AA12058987"}]},"item_10002_publisher_8":{"attribute_name":"出版者","attribute_value_mlt":[{"subitem_publisher":"総合研究大学院大学文化科学研究科 / 葉山町（神奈川県）"}]},"item_10002_relation_17":{"attribute_name":"関連サイト","attribute_value_mlt":[{"subitem_relation_name":[{"subitem_relation_name_text":"第18号　号別論文一覧 / Vol.18 Thesis list"}],"subitem_relation_type_id":{"subitem_relation_type_id_text":"http://www.bunka.soken.ac.jp/journal_bunka/title_index.html#v18","subitem_relation_type_select":"URI"}}]},"item_10002_rights_15":{"attribute_name":"権利","attribute_value_mlt":[{"subitem_rights":"©2022SOKENDAI(The Graduate University for Advanced Studies)"}]},"item_10002_source_id_9":{"attribute_name":"ISSN","attribute_value_mlt":[{"subitem_source_identifier":"1883-096X","subitem_source_identifier_type":"ISSN"}]},"item_10002_textarea_25":{"attribute_name":"出版者(英)","attribute_value_mlt":[{"subitem_textarea_language":"en","subitem_textarea_value":"SOKENDAI(The Graduate University for Advanced Studies),School of Cultural and Social Studies"}]},"item_10002_version_type_20":{"attribute_name":"著者版フラグ","attribute_value_mlt":[{"subitem_version_resource":"http://purl.org/coar/version/c_970fb48d4fbd8a85","subitem_version_type":"VoR"}]},"item_creator":{"attribute_name":"著者","attribute_type":"creator","attribute_value_mlt":[{"creatorNames":[{"creatorName":"小野, 光絵","creatorNameLang":"ja"}],"nameIdentifiers":[{}]},{"creatorNames":[{"creatorName":"Mitsue, ONO","creatorNameLang":"en"}],"nameIdentifiers":[{}]}]},"item_files":{"attribute_name":"ファイル情報","attribute_type":"file","attribute_value_mlt":[{"accessrole":"open_access","date":[{"dateType":"Available"}],"filename":"SOKENDAIbunka_18_73","url":{"label":"論文PDF（リンク）","url":"http://www.initiative.soken.ac.jp/journal_bunka/18_05_ono/18_05_ono.pdf"},"version_id":""},{"accessrole":"open_date","date":[{"dateType":"Available","dateValue":"2022-03-18"}],"displaytype":"detail","filename":"ono.pdf","filesize":[{"value":"1.3 MB"}],"format":"application/pdf","licensetype":"license_5","mimetype":"application/pdf","url":{"label":"論文PDF","url":"https://ir.soken.ac.jp/record/6483/files/ono.pdf"},"version_id":"dd2d95bb-c496-4648-9ecf-14a25db390e0"}]},"item_keyword":{"attribute_name":"キーワード","attribute_value_mlt":[{"subitem_subject":"尾崎翠｜チャップリン｜映画｜影｜生身の人間を離れた恋","subitem_subject_language":"ja","subitem_subject_scheme":"Other"},{"subitem_subject":"Midori Osaki","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"Chaplin","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"cinema","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"shadow","subitem_subject_language":"en","subitem_subject_scheme":"Other"},{"subitem_subject":"love for fictional characters","subitem_subject_language":"en","subitem_subject_scheme":"Other"}]},"item_language":{"attribute_name":"言語","attribute_value_mlt":[{"subitem_language":"jpn"}]},"item_resource_type":{"attribute_name":"資源タイプ","attribute_value_mlt":[{"resourcetype":"departmental bulletin paper","resourceuri":"http://purl.org/coar/resource_type/c_6501"}]},"item_title":"尾崎翠のテクストにおけるチャップリン表象 ―「木犀」を中心に―","item_titles":{"attribute_name":"タイトル","attribute_value_mlt":[{"subitem_title":"尾崎翠のテクストにおけるチャップリン表象 ―「木犀」を中心に―","subitem_title_language":"ja"},{"subitem_title":"The Representation of Chaplin in Midori Osaki’s Texts: with Special Reference to Mokusei (Osmanthus Fragrans)","subitem_title_language":"en"}]},"item_type_id":"10002","owner":"24","path":["561"],"pubdate":{"attribute_name":"PubDate","attribute_value":"2022-03-18"},"publish_date":"2022-03-18","publish_status":"0","recid":"6483","relation_version_is_last":true,"title":["尾崎翠のテクストにおけるチャップリン表象 ―「木犀」を中心に―"],"weko_creator_id":"24","weko_shared_id":-1},"updated":"2024-01-24T04:46:50.868862+00:00"}