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The major histocompatibility complex and the quest for origins
https://ir.soken.ac.jp/records/3726
https://ir.soken.ac.jp/records/3726611c75ee-3cc0-4616-9c3c-2e5a9e789917
| Item type | 学術雑誌論文 / Journal Article(1) | |||||||||
|---|---|---|---|---|---|---|---|---|---|---|
| 公開日 | 2013-07-04 | |||||||||
| タイトル | ||||||||||
| タイトル | The major histocompatibility complex and the quest for origins | |||||||||
| タイトル | ||||||||||
| タイトル | The major histocompatibility complex and the quest for origins | |||||||||
| 言語 | en | |||||||||
| 言語 | ||||||||||
| 言語 | eng | |||||||||
| 資源タイプ | ||||||||||
| 資源タイプ識別子 | http://purl.org/coar/resource_type/c_6501 | |||||||||
| 資源タイプ | journal article | |||||||||
| アクセス権 | ||||||||||
| アクセス権 | metadata only access | |||||||||
| アクセス権URI | http://purl.org/coar/access_right/c_14cb | |||||||||
| 著者 |
KLEIN, Jan
× KLEIN, Jan
× TAKAHATA, Naoyuki
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| 著者別名 |
尚之, 高畑
× 尚之, 高畑
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| 抄録 | ||||||||||
| 内容記述タイプ | Abstract | |||||||||
| 内容記述 | I have decided to die in December. But before my death, I still want to paint a picture that I have had in my head, and for a month I have been working feverishly day and night ... Sure, one cannot judge one's own work properly: but I believe anyway that this painting not only surpasses all my earlier ones but also that I will never paint anything better or equal ... It is a canvas four-and-a-half meters long and one meter seventy high. The upper corners are chrome yellow, left an inscription, right the signature, like a fresco that has been painted on a golden wall and has not been finished in the corners. Lower down on the right is a sleeping child, then three women in a squatting position. Two figures are intimating each other their thoughts. Another one, larger than life-size -intentionally disregarding perspective - cowers, raises her arms, and looks with astonishment at those two beings who dare to reflect on their destiny. A figure in the center plucking fruit. Two cats next to a child. A white goat. The idol raises its arms mysteriously and rhythmically and seems to look into the future. A sitting figure appears to harken the deity. And finally, an old woman, close to death. She seems to be having her final thoughts, thus completing the legend; at her feet is a strange bird holding a salamander in his claws. This stands for the futility of idle talk. All this is happening at the edge of a spring in the woods. In the background there is the sea and the mountains of a neighboring island. Despite the transition in tones, the landscape changes from one side to the other between blue and Veronese green. From this the naked figures stand out in a bright orange. If somebody told students of the Beaux-Arts at the competition for the Prix de Roma: "Paint a picture on the theme: Où Venons-Nous? Que Sommes-Nous? Où Allons-Nous? -what would you do?" I have completed a philosophical work on this theme, a parallel to the Gospel. I believe it is good. | |||||||||
| 書誌情報 |
Immunological Reviews en : Immunological Reviews 巻 113, p. 5-25, 発行日 1990-02 |
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| 出版者 | ||||||||||
| 出版者 | Wiley-Blackwell | |||||||||
| ISSN | ||||||||||
| 収録物識別子タイプ | ISSN | |||||||||
| 収録物識別子 | 01052896 | |||||||||
| DOI | ||||||||||
| 識別子タイプ | DOI | |||||||||
| 関連識別子 | https://doi.org/10.1111/j.1600-065X.1990.tb00034.x | |||||||||
| 関連名称 | 10.1111/j.1600-065X.1990.tb00034.x | |||||||||
| 権利 | ||||||||||
| 権利情報 | © 1999–2013 John Wiley & Sons, Inc | |||||||||
