{"_buckets": {"deposit": "93720a37-a998-4e1b-88cc-b7021a780beb"}, "_deposit": {"created_by": 24, "id": "5340", "owners": [24], "pid": {"revision_id": 0, "type": "depid", "value": "5340"}, "status": "published"}, "_oai": {"id": "oai:ir.soken.ac.jp:00005340", "sets": ["443"]}, "author_link": ["5952", "5953", "3896"], "item_10002_biblio_info_29": {"attribute_name": "書誌情報（ソート用）", "attribute_value_mlt": [{"bibliographicIssueDates": {"bibliographicIssueDate": "2016-03-28", "bibliographicIssueDateType": "Issued"}, "bibliographic_titles": [{}]}]}, "item_10002_biblio_info_7": {"attribute_name": "書誌情報", "attribute_value_mlt": [{"bibliographicIssueNumber": "12", "bibliographicPageEnd": "35", "bibliographicPageStart": "17", "bibliographic_titles": [{"bibliographic_title": "総研大文化科学研究"}, {"bibliographic_title": "Sokendai Review of Cultural and Social Studies", "bibliographic_titleLang": "en"}]}]}, "item_10002_creator_23": {"attribute_name": "フリガナ", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "クメ, シオリ"}], "nameIdentifiers": [{"nameIdentifier": "3896", "nameIdentifierScheme": "WEKO"}]}]}, "item_10002_date_30": {"attribute_name": "発行年", "attribute_value_mlt": [{"subitem_date_issued_datetime": "2016-03-31"}]}, "item_10002_description_19": {"attribute_name": "フォーマット", "attribute_value_mlt": [{"subitem_description": "application/pdf", "subitem_description_type": "Other"}]}, "item_10002_description_5": {"attribute_name": "抄録", "attribute_value_mlt": [{"subitem_description": "中世末期から近世初期にかけて成立した日本の芸能には、寺院唱導の場で語られていた話を元にした作品が少なくない。仏教の教えをわかりやすく説くために語られた譬喩や因縁話は、口頭だけでなく経典の注釈書や談義書に所収され、写本や刊本でも流布した。すでに能、狂言、幸若舞曲の分野においては、これら譬喩や因縁話との関わりが指摘されているが、説経、古浄瑠璃の分野では、総括的な研究はなされていない。そこで小稿では経典の注釈書や談義書と関わりのある説経や古浄瑠璃について、隣接する芸能である能や狂言の動向を視野にいれつつ、『阿弥陀胸割』を例に報告した。\n\n『阿弥陀胸割』は、天竺の幼い姉弟が、亡くなった両親を供養するために身を売る物語である。早く慶長十九（一六一四）年に、京都の仙洞御所や金沢での上演が確認され、説経・古浄瑠璃双方の台本が伝わっている。小稿では国文学研究資料所蔵の古活字版を中心に、『阿弥陀胸割』の類話と指摘される番外謡曲《厚婦》との比較を行い、《厚婦》が中世以前の譬喩因縁譚から『阿弥陀胸割』にいたる過渡期の姿を留めた作品であることを確認した。\n\n次に、関連話である『今昔物語集』巻四の四十話、真福寺蔵『説経才学抄』、日光天海蔵『見聞随身鈔』、真福寺蔵『往因類聚抄』、といった法会唱導の場で享受された説話群と比較検討し、これらと『阿弥陀胸割』との共通点・相違点から、説法の場で語られた物語が、演劇へと展開してゆく過程を整理した。\n\nさらに『阿弥陀胸割』の享受史を整理することで、幼い少女が身売りをし、阿弥陀が身代わりになる場面こそ中世以前の説話群にはない『阿弥陀胸割』の独自部分であるとした。キリシタンの殉教や、信濃善光寺如来の遷座といった社会状況をふまえ、この演出の着想が、繰り返し上演を見た慶長十九年という芸能環境と深く関わっていると推察した。\n\n\nIn Japan, the performing arts have, from the early medieval period onwards, no less work have often followed themes found in Buddhist literature. Buddhist parables have been passed down in oral and written form, with the spread of the latter being effected through both hand-written texts and woodblock-printed books known as “dangibon”. Existing researches in the fields of Noh, Kyôgen and kôwaka ballads have already shown their various connections with Buddhist literature, but no one has yet published comprehensive research into the Buddhist influence on the early puppet plays of sekkyô and ko-jôruri. In order to do this, I have chosen to use as an example “Amida’s Riven Breast” (see Kimbrough 2013 for an English translation).\n\n“Amida’s Riven Breast” is a story about a brother and sister in India who sell themselves into slavery. Performance records beginning in 1614 made both at Kyoto Imperial Palace and in Kanazawa have been researched as well as surviving libretti e from both the sekkyô and the ko-jôruri traditions.\n\nThis paper contains a study of a kokatsuji-ban (movable-type) edition of the Noh play, “Kôhfu”, in the collection of the National Institute of Japanese Literature. I confirm that the play is based on a Buddhist fable from Japan’s of medieval era, which has clear connections with the story of “Amida’s Riven Breast”.\n\nMy research has uncovered many similar narratives in Buddhist sermon literature, such asthose in the Konjaku Monogatari (book 4, number 40), the “Sekkyô Saigakusyô, and in the Kenmonzuisinsyô and the Ouinruijusyô. Compared with them, I analyzed the process of incorporation of parables from Buddhist literature in the early modern theater of Japan.\n\nFinally, I focus on the scene in which Amida becomes a scapegoat. Depiction of the flow of blood, so common in Christian imagery, would appear to have influenced the “Munewari Amida” image of Japan. Furthermore, the idea of this production is, it was presumed to be involved deeply and entertainment environment that 1614 saw a repeat performance.", "subitem_description_type": "Abstract"}]}, "item_10002_link_26": {"attribute_name": "要旨リンク", "attribute_value_mlt": [{"subitem_link_text": "要旨 / Summary", "subitem_link_url": "http://www.initiative.soken.ac.jp/journal_bunka/160303_kume/index.html"}]}, "item_10002_link_28": {"attribute_name": "書誌レコードID(NCID)", "attribute_value_mlt": [{"subitem_link_text": "AA12058987", "subitem_link_url": "http://ci.nii.ac.jp/ncid/AA12058987"}]}, "item_10002_publisher_8": {"attribute_name": "出版者", "attribute_value_mlt": [{"subitem_publisher": "総合研究大学院大学文化科学研究科"}]}, "item_10002_relation_17": {"attribute_name": "関連サイト", "attribute_value_mlt": [{"subitem_relation_name": [{"subitem_relation_name_text": "第12号 号別論文一覧 / Vol.12 Contents"}], "subitem_relation_type_id": {"subitem_relation_type_id_text": "http://www.initiative.soken.ac.jp/journal_bunka/title_index.html", "subitem_relation_type_select": "URI"}}]}, "item_10002_rights_15": {"attribute_name": "権利", "attribute_value_mlt": [{"subitem_rights": "© 2016 SOKENDAI (The Graduate University for Advanced Studies)"}]}, "item_10002_source_id_9": {"attribute_name": "ISSN", "attribute_value_mlt": [{"subitem_source_identifier": "1883-096X", "subitem_source_identifier_type": "ISSN"}]}, "item_10002_textarea_25": {"attribute_name": "出版者(英)", "attribute_value_mlt": [{"subitem_textarea_language": "en", "subitem_textarea_value": "SOKENDAI (The Graduate University for Advanced Studies), School of Cultural and Social Studies"}]}, "item_10002_version_type_20": {"attribute_name": "著者版フラグ", "attribute_value_mlt": [{"subitem_version_resource": "http://purl.org/coar/version/c_970fb48d4fbd8a85", "subitem_version_type": "VoR"}]}, "item_creator": {"attribute_name": "著者", "attribute_type": "creator", "attribute_value_mlt": [{"creatorNames": [{"creatorName": "粂, 汐里"}], "nameIdentifiers": [{"nameIdentifier": "5952", "nameIdentifierScheme": "WEKO"}]}, {"creatorNames": [{"creatorName": "KUME, Shiori", "creatorNameLang": "en"}], "nameIdentifiers": [{"nameIdentifier": "5953", "nameIdentifierScheme": "WEKO"}]}]}, "item_files": {"attribute_name": "ファイル情報", "attribute_type": "file", "attribute_value_mlt": [{"download_preview_message": "", "file_order": 0, "filename": "", "future_date_message": "", "is_thumbnail": false, "mimetype": "", "size": 0, "url": {"url": "論文 / Article | http://www.initiative.soken.ac.jp/journal_bunka/160303_kume/kume.pdf"}, "version_id": ""}, {"accessrole": "open_date", "date": [{"dateType": "Available", "dateValue": "2016-05-11"}], "displaytype": "detail", "download_preview_message": "", "file_order": 1, "filename": "201603 kume.pdf", "filesize": [{"value": "1.2 MB"}], "format": "application/pdf", "future_date_message": "", "is_thumbnail": false, "licensetype": "license_11", "mimetype": "application/pdf", "size": 1200000.0, "url": {"label": "201603 kume.pdf", "url": "https://ir.soken.ac.jp/record/5340/files/201603 kume.pdf"}, "version_id": "a0edfd4c-a487-4470-941a-11d55f867da6"}]}, "item_keyword": {"attribute_name": "キーワード", "attribute_value_mlt": [{"subitem_subject": "説経", "subitem_subject_scheme": "Other"}, {"subitem_subject": "古浄瑠璃", "subitem_subject_scheme": "Other"}, {"subitem_subject": "阿弥陀胸割", "subitem_subject_scheme": "Other"}, {"subitem_subject": "厚婦", "subitem_subject_scheme": "Other"}, {"subitem_subject": "生き肝", "subitem_subject_scheme": "Other"}, {"subitem_subject": "法会唱導", "subitem_subject_scheme": "Other"}, {"subitem_subject": "身替り", "subitem_subject_scheme": "Other"}, {"subitem_subject": "sekkyô", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "ko-jôruri", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Amida’s Riven Breast", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Kôhfu", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "raw heart", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "Buddhist teaching in literature", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}, {"subitem_subject": "scapegoat", "subitem_subject_language": "en", "subitem_subject_scheme": "Other"}]}, "item_language": {"attribute_name": "言語", "attribute_value_mlt": [{"subitem_language": "jpn"}]}, "item_resource_type": {"attribute_name": "資源タイプ", "attribute_value_mlt": [{"resourcetype": "departmental bulletin paper", "resourceuri": "http://purl.org/coar/resource_type/c_6501"}]}, "item_title": "『阿弥陀胸割』の成立背景 ―法会唱導との関わり", "item_titles": {"attribute_name": "タイトル", "attribute_value_mlt": [{"subitem_title": "『阿弥陀胸割』の成立背景 ―法会唱導との関わり"}, {"subitem_title": "The Relationship between Early Japanese Puppet Plays and the Teachings of Buddhism with Reference to the Story of “Amida’s Riven Breast”", "subitem_title_language": "en"}]}, "item_type_id": "10002", "owner": "24", "path": ["443"], "permalink_uri": "https://ir.soken.ac.jp/records/5340", "pubdate": {"attribute_name": "公開日", "attribute_value": "2016-05-11"}, "publish_date": "2016-05-11", "publish_status": "0", "recid": "5340", "relation": {}, "relation_version_is_last": true, "title": ["『阿弥陀胸割』の成立背景 ―法会唱導との関わり"], "weko_shared_id": -1}